A couple of weeks ago a picked up a set of fat quarters from the Portsmouth Fabric Company. Fat quarters are pieces of fabric measuring 18 inches by 22 inches, usually sold as a set of coordinating fabrics marketed towards quilters. I think they're called "fat quarters" because usually a quarter yard of fabric would measure 9 inches by 44 inches, which is less useful, ate least to a quilter. Anyone, I saw a set at the store that was all black, white and yellow fabrics (the set was named "Taxi"), a combination I've really been digging lately, so I bought it to use as book covers. Here are the ones I've finished so far.
From Box of Light |
This is the one I just listed on Etsy. All the books I've made so far use recycled cardboard for the covers and are hand-bound with coptic stitch.
From Box of Light |
A better look at the binding. I really want to experiment with this stitch (in terms of the placement of the holes in the cover) and I want to work with some other bindings - bookbinding is this whole other world I just don't feel like I have the time to explore. One thing at a time I guess.
From Box of Light |
I'm still working at photographing these books, and products in general. I made a makeshift lightbox but it was pretty rickety, and the cat destroyed it. I also don't have a tripod or the patience to deal with all that stuff. Natural light is nice but not entirely convenient and also too strong/directional. Something else to work on.
From Box of Light |
From Box of Light |
This one if my favorite of this series so far, I really love this fabric and think the minimal use of yellow is really effective.
I haven't posted those last two on Etsy yet, but I will at some point today. I also have neckwarmer/cowl I need to photograph and of course, many more things to make. I have more ideas than ever, to the point where I'm feeling overwhelmed and a little paralyzed. I'm definitely a perfectionist, which sometimes makes it difficult to just do something, without overthinking. It's funny because my main medium used to be clay, which is probably the most challenging medium to a perfectionist - something can go wrong at every stage of the process, and no matter how well you think you know the clay, glazes, kiln, things are a little different every time. I used to be pretty good a letting things go when something unexpected happened, I need to get back into that wabi-sabi mindset.